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Overlay - Exhibition at La Grande Place, Musée du cristal Saint Louis

HIPPOLYTE HENTGEN

From Wednesday 7 February to Monday 18 June 2018


 

                

 

This solo exhibition of the French duo Hippolyte Hentgen at La Grande Place, musée du cristal Saint-Louis, in Saint-Louis-lès-Bitche (Moselle, France) is produced by the Fondation d’entreprise Hermès, as part of its continuing support for temporary exhibitions at the Foundation’s own art spaces (in Brussels, Singapore, Seoul and Tokyo).

Each year, the Foundation presents two exhibitions of contemporary art at Saint-Louis, with a focus on artisanship and/or skilled expertise. Each season of three monographic or themed exhibitions is co-produced with a leading cultural institution in the Lorraine region, in association with the cristallerie Saint-Louis and La Grande Place, Musée du Cristal Saint-Louis. Following the inaugural and follow-up seasons, in partnership with the Centre Pompidou-Metz and 49 Nord 6 Est – Frac Lorraine (Metz), the Foundation has invited the Moselle-based contemporary arts centre - la synagogue de Delme to devise the third cycle of exhibitions.

Under the title L’héritage des secrets (‘The heritage of secrets’) Marie Cozette, director of CAC - la synagogue de Delme, has devised a series of three exhibitions exploring the historical, architectural, aesthetic, technical and human facets of the crystal workshops, over their four-hundred-year existence. As Marie Cozette explains: “The guest artists for the series – art duo Hippolyte Hentgen, Thu Van Tran, and Dominique Ghesquière – have immersed themselves in the unique world of the cristallerie, to create new works that seek to diffract meaning, just as crystal diffracts the light.”

“For their exhibition at La Grande Place, musée du cristal Saint-Louis, artist duo Hippolyte Hentgen have created a panorama tailored to the scale of the setting. The visual and choral installation enters into the multi-faceted world of the cristallerie […] Hippolyte Hentgen draws on a broad range of materials and means to pay a deceptively simple tribute to the multiplicity of gestures, expertise and techniques that attend the birth of each object manufactured at the workshops.”

 

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“Gaëlle Hippolyte and Lina Hentgen have worked together for ten years as Hippolyte Hentgen, a third personality with absolute stylistic and expressive freedom. Besides drawing, at which both excel, their work features sculpture, objects for the stage, and animated films, developed over a number of years.
Hippolyte Hentgen deploys an infinitely varied vocabulary of forms, drawing on popular culture, press cartoons, animated films, posters from the inter-war years, anonymous photographs, advertising bills, packaging and more: ephemera from the margins of History, products of our industrial society and the mechanical mass-reproduction of images. Hippolyte Hentgen imbues these frequently orphaned, ‘un-authored’ images with a new life and soul, through the use of collage, overlay, cut-outs and visual borrowings.
For their exhibition at La Grande Place, musée du cristal Saint-Louis, the duo have created a panorama tailored to the scale of the setting, a visual and choral installation that enters into the multi-faceted world of the cristallerie: the shape of the tools, the surrounding landscape, the crystal colours obtained at the workshops through the addition of metallic oxides, the rejects destined for recycling or destruction, the catalogues of shapes preserved in the workshop archives, diagrams annotated by the artisan engravers, gilders, and polishers. Hippolyte Hentgen draws on multiple materials and means to pay a vibrant, deceptively simple tribute to the multiplicity of gestures, expertise and techniques that attend the birth of each object produced at the workshops. In so doing, the duo’s work boldly and deftly bridges ‘high’ and popular culture, excellence and abject failure in an approach conceived as a continuous challenge to established hierarchies and a permanent dialogue between ‘good’ and ‘bad’ taste, the high and the low, the margins and the centre.”
Marie Cozette

 

VISITOR INFORMATION

LA GRANDE PLACE, MUSÉE DU CRISTAL SAINT-LOUIS
Rue Coëtlosquet 57620 Saint-Louis-lès-Bitche
Open to the public from February 7 to June 18, 2018.
Daily from 10 a.m. to 6 p.m., except Tuesday.
Free admission with a valid museum ticket (tarifs: 6€, 3€), or with a combined ticket for the museum and the Manufacture de Saint-Louis (tarifs: 17€, 10€)
Information: +33 3 87 06 40 04 or lagrandeplace@saint-louis.com

 

 

 

Hippolyte Hentgen is an art duo comprising Gaëlle Hippolyte (b. Perpignan, 1977) and Lina Hentgen (b. Clermont Ferrand, 1980), active since 2007. Both artists live and work in Paris. The duo has staged numerous monographic exhibitions in recent years, including La Box in Bourges, La Traverse in Alfortville, the Musée de l’Abbaye de Sainte-Croix in Les-Sables-d’Olonne, the Artothèque in Pessac, the chapel of the Genêteil in Château-Gontier, Emba/Galerie Édouard Manet in Gennevilliers, and the Parvis in Ibos (France). In 2018, the duo will feature at the Printemps de Septembre in Toulouse, and in residence at the Villa Kujoyama in Kyoto (Japan).
The artists are represented by Semiose galerie (Paris).

hippolytehentgen.tumblr.com
www.semiose.fr